There are many instances where the rise of Handsome Jack is referenced and along the way, the parallels between Jack and Rhys' current struggles trying to climb the corporate ladder are highlighted. The way it's written will strike a strong chord with Borderlands fans, in particular. Let's take the most brilliant example of it by looking at the arc centered around Rhys and his relationship with Handsome Jack. "Everyone thinks they're the hero of their own story."īest of all, Tales from the Borderlands features some of the best writing I've seen from Telltale so far. The context of the scene makes sense, but it won't be any easier for anyone tiring of QTEs to swallow. Later in 'Vault of the Traveler,' these instances will go from flicking the analog stick in one direction or hitting a button to inputting a combination of buttons. Speaking of which, those that don't like the quick-time events that have become a big part of Telltale games may not very happy with this mechanic's evolution. Even the quick-time events will take something of a different turn. Without spoiling exactly what this is, it's entirely possible to play this final sequence in several different ways to witness a variety of conversations, dialogue exchanges, and interactions. The other major thing that the climax accomplishes is that, depending on how the game was played to that point, it opens the door to numerous different ways that the story can play out. When certain decisions lead to the '(X) will remember that' notification, many of those instances do end up mattering in the end.
#Tales from the borderlands choices tree full#
And it matters prior to the final episode's climax when it takes over a dozen crucial decisions made over the course of the full story, determining how the final sequence will play out. What's really interesting about the way 'Vault of the Traveler' deals with actions across five episodes, however, is that the way the main characters treat certain people does matter. While that's not unique to Telltale games, Tales from the Borderlands seems to embrace this idea far more than past efforts. The tone and the characters of individuals can be different from person to person.
While that's still true to an extent, the journey can vary in so many ways through dialogue choices and big decisions that the actual story leading up to that final destination can be completely different. One of Telltale's bigger issues in recent games is that regardless of choice, the destination is the same. That's what makes Tales from the Borderlands such a satisfying story as a whole. The finale deals with the ending of Rhys and Fiona's journey, spends a good chunk dealing with the consequences of its outcome, and uses the rest of the episode to deal with unfinished business and tie up any loose plot threads. By this point, the fish story element of the game is out the window, signifying that the time for lying and embellishing is over. So what does that make 'Vault of the Traveler?' It capably acts as both an ending and as an epilogue for the game's main characters. The expectation was for the entirety of the episode to be devoted to the fight against Jack, but Tales from the Borderlands defied those expectations by essentially dealing fully with this plot well before the halfway point of the final episode. Telltale's narrative unfolded in such a fashion that the moment of Jack's turn works in more than one sense, whether it comes across as a friend's betrayal or as the lingering horror finally being unleashed. The main focus of the story was now on Handsome Jack and the galactic despot looking to make his return to the land of the living. Those coming in after the events of 'Escape Plan Bravo' know the precarious situation that the main characters find themselves in.
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